Bring Me The Horizon - Drown NEW MUSIC VIDEO

https://www.youtube.com/watch?v=0lDOHx8Vg3c#t=27


Awaiting a year for the Bring Me The Horizons new music, and the sheffield fivesome have finally released one track as a taster to their new sound.

For starters the titled track 'Drown' gave great hope to their current fanbase as something that could maybe date back to their previous work, adding an heavier tone filled with breakdowns.
As their latest full length, Sempiternal; released last year, the change in the bands direction had already caused havoc with the diehard fans, loosing many along the way but also gaining more in return.

Despite the new change in Sempiternal, the album worked solidly as each track benefited the next, creating a unity of sounds that floated melodically as well as metal sounding with explosive breakdowns and piercing screams that actually suited Sykes's voice.

So with the release of 'Drown' the change seemed to have expanded deeper into this new style which BMTH have adapted, admittingly sticking to a softer, subtle noise.
Now seeing all five in suits immediately tells us that no shit is going to go down, because let's face it? It's a fucking suit.

A soft melodic interlude plays as the opening lyrics "What dosen't kill you, makes you wish you were dead." sounds a bit too You Me At Six influenced. The whole song takes on a soft, deeper tone as Sykes is singing for once and not found to let out a scream at all. Surprisingly, this is something people are happy wit. Personally, I feel like this works well, especially with the song being about his drug addiction, he has chosen to take a serious route rather than screaming a ranty rage. Because of this tone, the track is taken more seriously as the band show off their usual "I'm never ok" themes of being troubled and helplessly in a mess.

However I find myself liking the song for some reason, not quite sure if it's to do with the content or sound but it's catchy beat leaves you wanting to play it again and again, just to make sure that it's the same band you're listening to.

It comes to a shock to a lot of people as their judgemental looks and strong opinionated minds do not allow room for change for a band such as BMTH, which is a pretty damn shame. I mean who want's a band who just makes another album that sounds the same? Sure it's great if you're a massive fan and still stick in the Count Your Blessings days, but it's time to move on and accept the new change, you've got to give them credit for even trying.

But the band isn't the only choice for the change, remember that BMTH are signed to major record labels such as Sony, RAC and, Epitaph which all get a say in how their new sound should be.

So what do you think?

More Than Life LIVE @ Borderline London 19.10.14

Constantly on the road touring, More Than Life, have left the UK starved for two years without a headline show. It was the Sunday night of October 19th, when the quartet returned to London’s Borderline for a one off show.

Taking an early start to the night was Southampton’s locals, Creeper. An unfamiliar sound to the crowd, the band didn’t let this interrupt their punk rock vibe, as the lights dimmed and the Jeepers Creepers song took to an intro, the band appeared on centre stage blasting out their energetic presence. For an opening act, Creeper got a few heads bobbing capturing new fans instantly with their passionate connection they exposed.

Following another eminent act of the night was Nathan Detroit a Punk band from Trowbridge. 

Halfway into the show, the bands guitarist decided to part ways leaving the four remaining members at a minus. Despite this, the band picked themselves up, gaining more attention form the crowd with their fast moving beats and bouncy actions, even those who weren't familiar with their sound found themselves moving along.

Before flying of to Australia the next day, More Than Life had gladly assembled, Up River to give the crowd one last warm up before their influx.

Similarly appealing to the current audience, the foursome instantly engaged all senses from the faces of everyone in the room. Unmasking their hardcore, bluesy sent soon spread filling the room with emotive screams. More known the crowd, deeper movement of bodies connecting and lips moving joined Up River, as their set proved worthy.

Isha Shah Photography

The floor was now filled with floods of bodies all hurled together, bounded by one band who were soon to play on stage. Deep red lights filled the stage where the current members stood, setting up for a special night of empathy.

Diving right into the bands news record, What’s Left of Me, came ‘Weight of The World’ a chillingly, gripping song that erupts passionate howls from every lyric that was amplified by the crowd. Intertwining with ‘Fear’ the older fans responded with chaotic bodies flying all over the floor, diving in mid air and screaming inches from James face. Working their way to ‘I’ve Lost Track of Everything’ taken from their famously known record Love Let Me Go, the collateral faces clustered together once again, in a community of cries.

Altering between their history with a few new tracks added, each song interacted a live audience as the non stop flow divers and mothers, kept the floor covered with a close line of unity.

Midway through ‘Do You Remember’ started and everyones faces dropped in tone, as the whole room was overslept with touching bodies learning towards the stage, screaming their hearts out to every line.

Where there were short breaks in the set a sweet, tranquil interlude was played to harmonise the crowd with their mournful blast.

Closing up the the night, vocalist James reached out, dedicating the last song to his mother who had just passed away. If the night wasn’t emotional enough it was about to get even more downbeat. Pushing all feeling aside a final basement of frames were clattered in a large group, grabbing onto each other or prancing around on stage. The set ended in a ferocity outcry, as they didn’t need an encore, More Than Life are just a band that just leaves you there in darkness, pulling yourself back 

together after such an emotional journey, you feel yourself wanting to relive it all again.

Isha Shah Photography

Two years was definitely worth the wait to experience such a hectic night that seemed to last forever, More Than Life have left the London in scraps, still raging to come back for more.

8/10

Climates - Body Clocks album Review

Released	13th October 2014
Recorded Record Label	2013 / 2014 Small Town Records
Genre	Metalcore/ Melodic
Length	32:00
Origin	Lincoln
Rating	8 / 10

Hitting the nail on the donkey for the first time is always a challenge, in fact for most bands, their first album is something they’d like to hide at the bottom of their record collection. But not for Lincoln’s finest metal core; Climates. Local to the UK, they have only be around for a couple of years, already known for their progressive metal sound. The five youngers have accomplished touring with highly creditable bands such as, Beartooth, Trapped Under Ice,  Counterparts, While She Sleeps and Bury Tomorrow. 

Released this october, Body Clocks is the first full length, from Small Town Records who specialise in the growing music scene.

Making a sneaky appearance is ‘Leaves Of Legacy’, as gently it creeps in before Wes Thompson’s vocals wreck the room. Generically altering cleans to screams, Climates have intricately devised this within the track, making it subtle and transferable so that it goes unnoticed.

Following, ‘Heaven (Is Only In My Head)’ reaches our ears in a similar way, yet with more passion and tone that makes the song stand out as attacking. The tiny detail which goes into each song is certainly heard as its melodic side stands out to be the focus. The tempo change into a more hardcore structure, altering its tune by adding layers of complexity which skilled musicians die to master. 

However not all is all dynamic, as relaxing breaks in the album are found with ‘In The Of Man’, ‘Worlds Away’ and ‘Sundown’ take on the delicate pitches of an atmospheric scent. Understanding why Climates have chosen to add such diversity to the album, as these songs do work; despite the simplicity, they have not taken a step back with the instrumental cadency.

‘Whole Hearted’ screams damage and suffering planted in Thompson’s screams, that are lyrically comforting as the song is filled with such rage of devotion, you find yourself compelled. 

As the album progresses to a finish, the tracks get moderately hardy in framework, as elements are exploded of what the band are truly capable of.

Drawing a close to the sentimental journey, ‘Realist’ touches on heavy lyrically allusions which draw your soul, capturing your deepest senses, leaving you numb and motionless. The album as a whole certainly does its job from start to finish, hurling twist and turns along the way, Climates have traveled a long way and are still going!

Track listing:

1. Leaves Of Legacy

2. Heaven (Is Only In My Head)

3. Serpents From The Shadowland

4. In The Of Man

5. Cryptic

6. Sundown

7. Whole Hearted

8. The Bigger Picture

9. Worlds Away

10. Realist

Grayscale - Mindless Minds (Mini EP)

From the recent release of Thoughts That Linger back in the spring of this year, The 90's emo band from London, Grayscale have also just released a mini EP today, titled Mindless Minds consisting of three small tracks.

Distinguishing a featured sound on their past EP, the alternative band have certainty progressed their talent into a liver, upbeat trio of tracks found within the mini snippet.

Maturing in such a small space of time, this small EP caters directly to a modern audiences whilst still holding down classic sounds, as it is essentially, a breath of fresh air.

Beginning with 'Waterloo Estate', there is a clear change in sound which is a delighted surprise as the track starts of clam and easing, with a sweet tingly guitar riff accompanied by a soft drum beat, right until it hits a stone and the whole song revers back to their previous clattering of noises.

Their music isn't the only quirky thing about them, as chosen title tracks 'If That's a Bible, Where's My Camera' and 'Bait' probe their funky music tune.
Closing this small chapter with a punkier pressure highlighted by the guitars, which regain our focus to Grayscale's classical noise.

With just three small songs, Mindless Minds firmly teases us to their re-vamped style, that shows great development in their craftsmanship as musicians. Can't wait for an actual record or full tracked EP from these guys!

8.9/10

Full Stream here

Moose Blood - I'll Keep You In Mind, From Time To Time

Released	6th October 2014
Recorded Record Label	2013 / 2014 No Sleeps Records
Genre	Emo
Length	33:54
Origin	Canterbury
Rating	10 / 10

Thought emo was dead? Well with the release of Moose Blood's first ever debut full length record I'll keep You In Mind, From Time To Time, reboots us to the nostalgic homegrown sound of emo.

From a band who have only been around for two years, releasing two polished EP's and a split with Departures, the Canterbury foursome have produced a collection of tracks which reflect their own influences whilst adding their own personal touches.  If you're a current fan of Moose Blood or even a newbie, there is no doubt that you will love the band even more for producing such a comforting collection of sounds. 

Introducing us with 'Cherry', the band draw us in with their softer side; an unusual start. The light

ballad style entwines with vocalist Eddy Brewerton's, as it lyrically reflects his recent marriage. This quiet style is then followed up by 'Always' which is a track released as a teaser weeks before. A song that lifts the mood right up and familiarises you with the Moving Home EP work of Moose Blood.

'I Hope You're Missing Me' and 'I Hope You're Miserable' which is the closing song both have very hard hitting punky vibe riffs which capture the likes of Balance And Composure, funnily enough have inspired them as much as Brand New. The duo stand out as headbangers, bringing a vibrant authenticity to their new vivid sound.

If you are a native to the band then you may have picked up on 'Boston' and 'Bukowski' being added with a revamped, edger tone that compliment the original releases as well as including them to slide perfectly with the album flow. Additionally 'Gum' takes Moose Blood's pristine voice found on their dated EP's by enumerating a natural modern emo aura.

Centre spotlight has been dedicated to the band as a whole, as Kyle, Glen and Mark all bond together to form a beautiful base for Brewerton to glide on smoothly. This is most evident in 'Pups' and 'Swim Down' with it's build up of a bridge, that heightens the current tension to a halt until the vocals sweep in.

Tying the knot, I'll keep You In Mind, From Time To Time awards its self alone with more focus on sound, yet still adding their famously well constructed lyrics, Moose Blood have produced a fresh yet nostalgic record that happily sits on the modern day shelves as a dated piece of art.
Without a doubt this record stands out to be in the top 10 released in 2014, alongside More Than Life, Gnarwolves, La Dispute and Basement.
It's not every day that your local UK band makes such a confounding album that supports the growing scene as well as providing a comfort blanket for the older generation.  

You can stream the album online for free here.

Track listing:

1. Cherry

2. Anyway

3. I Hope You’re Missing Me

4. Chin Up

5. Boston

6. Gum

7. Pups

8. Swim Down

9. Bukowski

10. Kelly Kapowski

11. I Hope You’re Miserable