Monday 31 March 2014

Seahaven - REVERIE LAGOON: MUSIC FOR ESCAPISM ONLY

Released25th March 2014
Recorded

Record Label
2013

Run For Cover Records
GenreEmo/ Blues/ Post
Length51:33
Origin  Torrance, California
Rating
 9 / 10

Waiting four years for another brilliant album by Seahaven was worth the wait. Previously they have released two similar lined albums in 2010-2011, with a close margin for them to share a great deal of corresponding themes. With this four year wait, we would expect the band to show some level of progression, and that's exactly what Seahaven have done in Reverie Lagoon: Music For Escapism Only. Doing exactly what it said in the title you will find a whole new paradise to be explored within the 14 track record. 

Introducing us to this change, Fifty-Four provides a drained melodic intro of a simple guitar riff, which is soon joined by vocalist Kyle Soto easing you with a light stretched sound that softly exits into its quiet outro. 
It's laid back trance is almost broken with the second track Andreas which kicks up a more lively nostalgic feeling from Ghost. Proven to be one of my favourites off the album due to its live upbeat tone hidden in Kyle's voice it allows the tranquil music to follow on, keeping its main focus to relax to. We have not lost the old Seahaven, as clear elements are shown in Flesh.
Another upbeat and catchy song, this one allows for more movement and attitude as it makes you want to dance around to its breakout beat of the drums and electric feel of the guitars, having a really edgy and sharp spit to it, the strong is overpowering with it's hard hitting strength. 

The start to this album is clearly different in what you probably were expecting, however it has been carefully crafted to overlay perfectly, not causing an obvious change in their subtle sound. Four years of work has paid off as this is an album which you can just sit back and relax to, not even bothering to get up to change the song, they all intertwine with another to work as an escapist trance which you can lose yourself in. Something not commonly done but definitely needed, Seahaven have managed to accomplish this desire we all secretively crave in one beautiful album. Referring to it's artistic style and composure, its delightful melody's and soft brittle tone that tenses at various peaks, each song is tranquil and calming to your ears.

One song in particular stood out from the rest, On The Floor instantly hit me with its captivating repetitive guitar strum playing over and over in your heard. The simple utterances in which Kyle exposes ever so shortly and peacefully adds to the climatic narrative. Hearing his sharp unique voice echo captures such emotion and sadness, feeling knee deep, the drums kick in to save this downbeat song, lifting it higher with a second guitar beat. Softly fading out with its much familiar intro the song ends on a similar note to as it started.

Love To Burn brings out their more indie blues style as related themes from Kodaline and explored with the quiet instrumental build up to create a focus on its overall sound rather than just the vocals, which parallel it perfectly. 
With most of their songs over four minutes in length the last one Four-Eleven ends the album with a nice soft transition back to the start, having a strong correlation with Fifty-Four it sets you back with an obvious finish as it comes to no surprise that another well-constructed album has been made from Seahaven. 

Overall I thought the album was brilliant, hitting every right spot in my mind allowing it to be a soft and easy listen, I am really confident that the change they have taken was the right one, as it truly is unique and remarkable. Giving it four stars and a 9/10 was well deserved as it's truly relaxing. 

Sunday 30 March 2014

Crowd Killing "It's just hardcore" No there's a difference.

This topic has been discussed a lot lately in various expressions of bias opinions, and after all that's what it is, an opinion. There is no real answer to what's right or wrong about Crowd Killing as either way it seems to offend people but I do think it's ok to have a strong opinion about these things.

If your argument for Crowd Killing is that it's a part of the Hardcore movement and scene then you probably know nothing. Crowd killing is a term used when moshers and HxC dancers act upon performing it onto the crowd rather than in the pit provided along with similar people. 
There are a lot of unwritten rules and expectations at gigs, as the pit seems to withhold a lot of interchangeable ones.
People usually complain about getting hurt at gigs when they didn't want to, this is due to them standing on the outskirts of the pit or being in them. Some have no reason at all apart from the fact that some overly excited fan decided to target them and essential Crowd Kill them.

I don't have anything against them as I have not yet experienced such controversy, however I do have strong feelings against it. You can enjoy yourself at a gig within the right boundaries, within the large space provided for you to mosh and dance all you want, but when you deliberately get over excited and start to target less involved fans standing well away from the pit then you really are pathetic. Why should they have to get hurt and not feel safe due to you being over the top and going out of your way to hurt someone. We get that not everyone is as 'hard' and 'edge' as you and some people just want to stand and enjoy the band from a safe spot where they will not be injured, so why can't you respect that? They have respected you by giving you that space and stepping away from it, so just be a decent person and allow that.

I've seen a lot of comments and reviews about this and they have all negatively labeled Crowd Killers with horrible names, which I find unfair. Yes they may deserve it and you may have a good reason to but publicly posting these nasty things isn't going to make you a superior to them. It honestly just gives the Hardcore seen a bad and negative stereotype which isn't really helped by all the shit that goes on.
It's really unprofessional, but I'm not condoning it, just disagreeing with a non bias view.

A lot of people have gotten confused with HxC dancing and Crowd Killing, but please note that there is a large difference between the two. Never mix them up as though they do follow similar paths and styles, one is done for pleasure and connection with the music while the other gets a little out of hand.

Now I'm not saying that I know everything about this topic because I don't and I'm not trying to resolve it, I'm just expressing my own personal opinion on it without trying to sound offensive to others.
All I'm saying is that you should be more considerate to others at the gig and not just you because I've heard a lot of: "We'll if they're at a gig they should know they're going to get hurt" and "Well what did you expect you went to see a hardcore band!" Because it's frankly bullshit. I've seen many hardcore bands and enjoyed their set without even getting touched, even joining in at points and I was fine, because no Crowd Killers were present. But hey if you are seeing Desolated then there probably are a few new expectations to know, that you 99% will find Crowd Killers and are very likely to get approached by one.

Aside from this, you will always get annoying people at gigs whether it being gig couples, fan girls, or crowd killers, there isn't really going to be a stop to this so I don't see the point in causing such feuds. If you don't like something then move away or leave, if it is persistent then you have every right to say whatever the fuck you want, after all we've all had different experiences so you really can't judge.
All i'm saying is, if you want to go wild then do it in your open space, don't bring it to others who you know don't want to get involved. Just have some respect for the people around you, after all you are all there for one reason.

Skip to 19 and 22

Saturday 29 March 2014

ROAM + Golden Tanks + Gnarks + Grayscale @Luna Lounge 28.3.14

A much underrated and unknown venue, situated in Leytonstone, to the North East of London is a new and upcoming lounge venue. Only recently putting up local bands to perform, this venue was chosen to host Roam's first ever headline London show.
Never experiencing the venues atmosphere before, I already had a liking to small, intimate shows, as the Luna Lounge, promoted by RockThisTown proved to follow this disposition.

For only £3 you were certainly getting your money's worth with three top class bands as support from the local area, as well as Brighton/ Eastbourne's finest pop punk band ROAM!

First up was Grayscale who produce music relating to Basement, with a 90's emotional punk and post hardcore feel, first time hearing and seeing the band I was instantly impressed.

Down in the basement of the Luna Lounge was a small floor stage space for the band to play with a decent size crowd. Instantly connecting with their emo style of music, the four piece band had a unique edge to them.
Easing the crowd in with a soft paced song which then evolved into harsh, fast vigorous guitar strums, there was a clear mixture and variety of talent shown as one song transformed into a clear separate aura.

A really well-crafted set was instantly captivating for a first time listener as not knowing what to expect, Grayscale had certainty exceed my expectations.




Shortly after, Gnarks followed the same punk emo feel, with a higher level of aggression and punk sense. Another four piece band from the south east of England, they proved to be a nice transition to diffuse into. Clearly bringing a group of dedicated fans, Gnarks surrounded their set with their involvement, as several times throughout their set they would join in, screaming the words back at the band in perfect unity. Reminiscing of Gnarwolves combined with Knuckle Puck, the band have brought a strong American impression into the growing British music scene.

Surely knowing how to get the crowd pumping, lead singer Kiefer got right into it, bouncing all over the place and causing a small pool of havoc for all to enjoy. A very lively and enjoyable set, Gnarks proved to be another hidden band that the UK has to offer. The line up so far was pretty solid, for bands who I have not yet heard of they all seemed to hit my ears perfectly.

Last to support was Golden Tanks progressing the night to a further hard-hitting punk-hardcore sound, as the five guys from Reading travelled to deliver a truly powerful set. A more advanced and mature sound exposed the room as they got right into their music, with their complex heavy guitar riffs and bouncy drum beats, they reminded me a lot of Giants.
Another crowd involving band, the heavy hardcore beat got them throwing all sorts of shapes, expressing their close connection to the music.

Definitely feeling their new sound, Golden Tanks added a sense of variety as they were a final finish to the supporting acts, pumping the atmosphere up for the headliners Roam, and did a successful job at this.
Filled with familiar rhythms you could easily move along to and a strong sense of involvement, the band ended the last set of supports with a rage of outbreaks.


Of course now it was time for ROAM to play their first ever London headline set to a room filled with fans. Introducing us to their pop punk genre, Roam delved right in, as lead vocalist Alex Costello flew around the floor in all directions before the first song came into play. A straight away banger, which came off their new EP Head Down the crowd reacted with their mouths screaming out every lyric word for word. A sudden hit of their exploding sound mirrored within the crowds faces as Roam had an instant lively vibe which made it impossible not to move to.

With only two EP's released, they played a mixture of songs off both of them, keeping their old and new themes intact as well as playing a one off special song that they had never played outside of their hometown. Pyramids played as a first ever release to our ears, as just like the others it suited the atmosphere perfectly, displaying Roams talent.

Progressively growing among the UK, Roam are repeatedly one to put on a top end performance, which is full with enthusiasm and pop punk madness. In their early years of being a band they have come so far with a well-deserved representation.

Perfectly built for a small intimate crowd, Alex made sure that everyone was involved, passing the mic out at various times whilst maintaining his bouncy presence. With Foresight's melodic intro, set halfway through, it capture the exact high spirited emotion that was constantly around, with a open bridge that allowed the crowd to chant back at.

100% better live than they sound on CD, they're a band you really need to experience their performance as well as sound, with the talent of both of these combined, strengthens their appeal and image, as I've always enjoyed seeing them live as they never fail to disappoint.

Ending the whole night with Head Rush was a perfect choice, with one final outbreak the crowd took it to their advantage, with some attempts of surfers and total rage, everyone got together, moving along with the catchy beat as the last note echoed the room.

10/10 for the night overall with all of the bands performing with high standards and a quality sound produced throughout. A really enjoyable night, thanks to Rockthis Town for putting on such a memorable show.
More photos at: Facebook Isha Shah Photography

Tuesday 18 March 2014

YOUR DEMISE - FAREWELL SHOW 14-15.3.14 LONDON

The last two shows Your Demise will EVER play together as a band, was held at Camden's finest venue, The Underworld. Booked 9 months in advance, we all already knew about the breakup and prepared for the final show, as I was lucky enough to get hold of tickets for this. Wishing the months would pass so I could finally say goodbye to one of the UK's finest hardcore bands was always on my mind, however as the days went by and the final gig was only a few hours away, I felt like it had come too soon and I really wasn't ready to say goodbye. Mainly focusing on Your Demise in this review, I wanted to keep it heavily based on them as well as acknowledging the supporting acts too.

Friday started off at the early time of 6, digging right in with Crooks who were first up. Pulling of a very lively and energetic performance, Crooks provided to get the crowd in the right state of mind, starting the tour off with immediate impact. Previously seeing them twice before this current year, they have always delivered a solid and passionate performance, being a perfect opener act for this special night.
MARMOZETS

Following that fulfilment was Palm Reader, Heights and Marmozets who all pumped the crowd up, for Your Demise. Striking out from the rest, Marmozets gave an outstanding performance, which got the crowd spinning in circles and mayhem, as their last song was taken to the floor itself.
Drummer Josh Macintyre moved his whole kit to centre the crowd, conferring an energetic last song, as a tribute to be playing alongside YD themselves. All four support bands had gave a well-polished act, as it was an honour for them to play the penultimate show.
Heights ( Isha Shah Photography)

9:15 Couldn't have come sooner, as it was finally time. The stage had now been set up, catering
exactly for the band, as a cheesy intro of Aerosmith - I Don't Want to Miss A Thing crept in, and the crowd roared with excitement and laughter. At this moment the lights dimmed to highlight the stage, as everyone's mouth moved along, singing each lyric word for word before MXX merged in and took over the stage. Within the first few seconds of this play, divers were taking over the stage, bouncing off each other all over the place, starting the set off in high spirits.
Becoming apparent that this was it, the final time ever we were going to hear Your Demise play, people just went mad, as The Golden Age was next up, causing an ever larger group of surfers and divers all around the room. Packed with a sold out show, every single body was moving along to the music, despite the small spacing. The band were never alone on stage as divers kept them company, and helped Edd sing many of their well-known songs.

The night followed a similar set list to all the other nights with a solid and perfectly lined placement of true bangers. A mixture from The Kids We Used to Be, The Golden Age and Cold Chillin' as well as the much older YD, with Burnt Tongues and an extra song played on the last date, Burning Ashes.
Settling in with Scared of the Light, the crowd kept its fast pace movement along with the heavy guitar riffs produced, as Edd introduced each song. Your Demise have always been one band who knows how to put on a show from start to finishing, not messing about with anything, as well as constantly keeping a crowd well entertained, they had managed to provide us with enough energy to last their whole set.

Performance wise the band are a solid 10/10 as everything was in sync, sounding solid for the basement sound the Underworld was known for producing. Playing in such a small but memorable venue is hard, but YD certainly did pull it off.
Being the fourth time I had seen the band, I could see a lot of progression in Edd's vocals as well as the overall combination sound, as they sounded more united and together as ever. As the Friday date was packed with many hardcore fans of the band there was never a dull moment, even in between the breaks.

Edd McRae
Things really started to heat up as soon as Karma and Push Me Under were introduce, being two heavy melodies in which everyone was familiar with. Explicitly plunging us in a full frontal breakdown, the crowd went absolutely wild, with two large pits filled with passionate dancers, going mental everywhere. The whole floor seemed to be shaking with heavy beats of bouncing fans, constantly moving along with the music. As the halfway mark was set with These Lights, a song that does not sink in well with a lot of people, had to be played as a memorable, calm and cheesy tune to relax to slightly. Personally, I love this song and think it's as good as the others, despite its take back to a subtle and toned theme, it still provides a catchy and bouncy beat which you can't help but sing the words to.

As soon as that was out of the way it was back to the old stuff from The Kids We Used To Be, keeping the crowd pumping with their radiantly hitting music. The night was certainly emotional for the crowd, but 10 times as hard for the actual band, as the time had come for that final last song and everything to be finally over.
Not making the generic move of going off stage while the crowd cheers for an encore, Your Demise knew well enough that it was easier to just play the one song everyone had been waiting for and not tease us any longer.

But before, a much needed speech was required.
Cutting the shit and being real, Edd took a few minutes to just talk about the things the band had accomplished and how they had done that, taking the time to thank everyone who had been a part of it as well as saying a great big "FUCK YOU" to everyone who hadn't believed in them. True words were spoken that night, as you could tell it came from the bottom of the bands heart, as they were even more dismal than the crowd. But there just comes a time in your life when you realise how happy you are and what you've done is enough. Your Demise have cultivated far more than a lot of bands, touring the world with friends and family, they can now say they have lived a Golden Age.

With that being said the heavy intro of The Kids We Used To Be settled in and the crowd teared their hearts out. More people on the stage than actually on the floor was a clear indication of how the night would end.  The band had played a solid and perfect set, ending it with a song that means a lot to us. With hardly any tears but smiles of joy and sorrow on peoples face as they said a final goodbye to the band and each other in huddles before The Underworld was empty.

YOUR DEMISE (ISHA SHAH)
 As you can tell this review is probably a little bit bias, as I am a huge Your Demise fan, but it's just my opinion and how I took the night. I found it really hard to sum up the words I wanted to say In a fair way.

THE LAST EVER SHOW. SATURDAY 15.3.14

The doors to the venue opened at the same time of 6 with another great solid line up of:
Broken Teeth, TRC, Landscapes and finally Brutality With Prevail.

All four quality bands, as TRC captured me the most, with their lively and down to earth #TEAMUK performance.

Going straight into the main act, Your Demise play their second show at The Underworld this year, as well as their last ever. Being 100% concentrated this time with my eyes glued to the stage, we all stood, waiting for the band to join us finally. Having already experienced yesterday's show, I knew that tonight would be more emotional and heavyhearted than any other gig I've yet to endure.
Going all out tonight, Balloons and rolls of toilet paper were thrashed around right at us, already lifting our spirits. Setting a clear happy atmosphere, the nostalgic song of  I Don't Want to Miss A Thing carried out as it intertwined with the familiar set list of last night.

Comparing the two nights, they both proved to have the same amount of passion and enthusiasm from both the crowd and the band, however as it was THE FINAL NIGHT, the ending got a little more heated and emotions were high. The band's performance sounded even more perfected, heard the second time, rebounding all over the stage, as more and more divers took over. It came down to the last three songs and Edd just though, Fuck it let's play some oldies from The Blood Stays on the Blade, with Burning Ashes places right after Burnt Tongues. Slightly changing the set list from the other nights, it remained the same in choice of songs however, the transition from one to another was more grasped and detailed as the whole set seemed like one giant pit.

Pumped with more energy let out on the crowd I found the atmosphere to be a lot more united and together as no one really wanted to say goodbye. Remembrance of what was next to come, a sudden realisation had set in and everyone stood still as Edd said some final last words joined by Stu and Oz who's emotions got the better of them. "There are some people you wish were here and others you really don't like." Keeping the same heart felt speech, with adding in a few new words and goodbyes, as confetti filled the ceiling with tears of colour, the final breakdown of TKWUTB demolished the whole venue.
Fans flying all over the place, trampling to get to the stage, then diving back in, not a single body stood still within the five minutes the song played for. As people were now actually falling off the stage, due to the amount who were flooding in, packing the space to the ceiling with tears of screams as the last lyric I'LL PROVE YOU WRONG, escaped and echoed the room in claps and screams.

The night was over yet, as people still huddled the stage, one by one clearing the space, with the realisation that Your Demise were now just Demise had suddenly hit them.

Words cannot express how amazing the two nights were and how lucky I was to be a part of it, there was so much I wanted to say and so much I had experienced along with the 5 times of seeing this band live that will continue to live with me. It is because of them I had truly gotten into hardcore, travelled to new places and met new people. Your Demise have made such an impact on me, and I can now say my final goodbye was a good one.
Remembering the first ever time I saw them in the summer of 2012 at tramlines was the highlight of this golden year, as they imminently got me hooked to their relatable music that suited ever single mood of mine. Your Demise are such a distinctive hardcore band, as no one even comes close to compare to what they produce, happily leaving them at London, I can really say that I wear this brave face with a smile.

Expecting to be highly emotional and teary, it surprised me at how good and happy I felt after the gig, it wasn't another sad ending but just a see you later sort of thing, as I will never really say goodbye to their music.
The band deserve more than a 10 on their music and performance and if I could give them any higher I would. Solid quality band 10/10 gig.

2000ANDFOREVER.
R.I.P
YD.
For the pictures head to: Isha Shah Photography
Can't wait for the DVD now.


Monday 17 March 2014

Alone Tonight - Lullabies & Alibis MUSIC VIDEO (A2 MEDIA CW)

MUSIC VIDEO
For my A2 Media course work we had to make a music video and here is my first attempt at it.
I am pretty proud of it seeing as I have no experience, shot last year with hardly any knowledge of how to use a cannon, it came out pretty great. Hope you like it and enjoy as I plan to make more and improve along the way. It was a really fun experience and it got me full marks so I'm very happy with the outcome and would like to say thanks to the band: ALONE TONIGHT who really helped me with this, as it features their song. So give them a like and check them out!
(WATCH IN HD please)


Alone Tonight - Lullabies & Alibis from Isha Shah on Vimeo.

Monday 3 March 2014

Elegies - EP Review


Released3rd March 2014
Recorded2013
GenreMelodic Hardcore
Length17:00
Origin  SHEFFIELD
Rating
 9 / 10

Sheffield's melodic hardcore band Elegies have just released their first ever self-titled EP, filled with five mind blowing tracks for you guys to demolish.

With the first release of "Scars", the band had already teased their fans into a long wait for what was next to follow. (Full review and song here) Captivating us with such a solid sound and new mixes, the news of an EP was more than demanding for us to have.

Starting the EP off with "Exile" a dominated guitar tune sets into play before briefly joined by the soft hits of the drums, before all pulled together with vocalists Thomas and Sam, swapping turns to make such a contrasting sound. Keeping the same rhythm throughout the song, but gradually slowing down to take a more hardcore path in the bridge, this song heightens its strength with the high guitar riff that soon gets cut off by the heavy corner the path has taken. Providing to show different tempos and structures, this song gives a brief overview of the bands turn and talent displayed, as it combines every single element in one beautifully composed piece. 

"Benjamin Huntsman" is a pure and solid defined instrumental art display. With no vocals, it sits with layers of tension building up with every note, gradually getting thicker and larger with content. Another easing song, it's simply just nice to lay back to and let your ears absorb it, as reminding me a lot of Heart In Hand and Northlane's instrumental work, Elegies have provided to add their own trademark sound to it, feeling nostalgic towards their work.

Straight into the next track, "Memento Mori" screams right in your face, plunging in with a heavy drop bass and guitar line that separate the pre-chorus perfectly. More of an angry song that you can just break out to, the bridge gives you a moments rest before all is returned, finishing the song in a violent manor.

Close to finishing "Family" proves to be my second favourite easily, mainly because of its catchy intro that has not left my head, or maybe just because of its overall complexity and intricate detail that has gotten into it. With a softer chorus which Thomas produces, it again matches Sam's cries perfectly, forever creating a double vision feeling. Breaking down into a typical hardcore style, the band have added a layer of pure solo guitar which adds to its detail and difference, divide it from most songs, with a finished scream.

Obviously finishing the EP off with "Scars" however they have revamped it to perfection, fully covering all grounds, a solid finish is exactly what they have mastered. Its clear intro sets pace for such a bouncy and high beat pace to follow, focusing highly on vocals, this song stresses it to the max, contrasting the two sounds against each other, works best here.

Now for an EP this was extremely brilliant as every single song flowed to the next, not repeating but showing a range of mesh sounds that collided together, creating a versatile and even finish. With only five songs released, it actually just makes you want to hear more of an album length as I could easily enjoy double the amount of time with their music. 
Highly recommend you give it a listen to for yourself and even download it as it's all free, or buy a hard copy for just £5 on their BANDCAMP

You can also catch the band on upcoming tours which include HIT THE DECK (Nottingham only)