Tuesday, 26 August 2014

Mind And Separation - Charnel House EP


Released1st September 2014
Recorded

Record Label
2014

Unsigned
GenreMelodic Hardcore
Length23:40
Origin  Sheffield
Rating
 9 / 10

Famously known for their solid music scene, Sheffield's own Mind And Separation are releasing their first ever titled EP, Charnel House this Autumn. Featuring 6 crafted melodies, which are a massive credit to the growing scene.

Slowly introducing us to the first track is Overcome, progressive combining melodic elements that are soon bound together by vocalist Travis, immersing his callous tone at you. Picking up the pace, with a faster moving beat increases the impact that you are faced with, while the song ends suddenly.

Regret shows off Travis's dominant hitting vocals as the song is tailored to his tone. Elements of post hardcore are heavily embedded as well as the elaborate melodic rhythms. Certainly one of the songs that stand out from the EP to me, its lyrical references are as powerful as the message, clear and repetitive to create even more effect. From the beginning of the song right down to its little harmonic ending, it strikes me greatly, as the detail of gradual tension is built carefully.

Striking you with such an intricate intro Stay True, starts off with soft breaks of vocals which are then accompanied by a powerful sound that constantly changes considerably. Not sticking to anything basic, Mind And Separation have added multiple alterations that disarray the generic structure, mixing things up for a modern audience to enjoy. The whole EP works so well because of this, no one song alone sounds like the other.

Drawing to a close, we are finally met with a somewhat peaceful interlude that takes all the endeavour off our ears, to enjoy a beautifully composed instrumental piece. Before Deserted slowly kicks in, dampening the mood for Travis's voice to lustre through. Carefully placed to ease you back into the bands complex sound, the melody is somewhat soothing until it the pace is picked up and once again we are restored back to a faster path. The strongest detail extracted come from the changing in pitch from calm to quiet, then from rigid to enraged then back to its simplest form where Travis's vocals end the song with such sentiment, the final drum beat adds to its weight.

Ending the whole EP with the longest song of 6 minutes, Grief plunges in straight away with impenetrable vocals that are then soon joined by a light melodic height.
As the track progresses we are opened to share the same journey as it constantly changes unexpectedly in tempo and pace, keeping you alert. Just when you think the song is coming to an end, the repetitive words are blared out into a gradual finale.

As a whole, Charnel House deserves a solid 9/10, 5* for all six tracks to follow up on each other smoothly, creating a solid first EP for themselves. Not just giving the audience generic music but altering it to suit their style, Mind And Separation, at such an early start have already earned their rank up there. If you are into Melodic Hardcore and have not yet heard of them, I highly recommend it, as they are a band that you will instantly like without a second listen. Hitting you straight up, with their mastered noise.

The EP will be out September 1st and free to download on their bandcamp!
Or you can catch two of their songs which are streamed on YouTube right now!

LISTEN TO IT FOR FREE: HERE

TRACK LISTING:
1.Overcome
2.Regret
3.Stay True
4.Charnel House
5.Deserted
6.Grief

Sunday, 17 August 2014

Buckle Tongue - A King In All Of Us EP



Released1st September 2014
Recorded

Record Label
2014

Unsigned
GenreAlternative Rock
Length15:17
Origin  Ellesmere Port
Rating
 9 / 10

The four piece alternative rock band from Ellesmere Port, Buckle Tongue are set to release 4 brand new tracks which feature on the EP, A King In All Of Us this September.


The first title track Embers draws your attention straight away with its heavy drum and guitar riff that rapidly repeats, until vocalist Benny Chance's rugged voice breaks through. Instantly warming you with a familiar presence. Upbeat and impacting instantly, this song perfectly eases new listeners with their impressively funky rhythms presented throughout the verses as well as the ending of the song.
A tranquil change appears in the bridge where a much slower tempo is played, relaxing your ears before the journey comes to a close with a mammoth of an outro.


Following the funky flow, Tidal sweeps in with a strong instrumental intro that soon joins the powerful boom of Chance's vocals. This bouncy structure is repeated throughout the song, highlighted by the compelling vocals as well as the rhythm, leaving it's mark imprinted in your ears. Just as you think it's over a sudden change slowly captures you as the song ends on a much lighter and calm note, showing off a different side, completing the song overall.

Wayside joins the EP, fitting in perfectly. There appears to be a slightly different sound here as its modern rock vibration combines with a classic voice, the constant juxtaposing sounds work together in unity. By also adding a short djenty breakdown cater for the current audience. Famously ending on a high complex instrumental solo piece, that compliment the vocals into a breakdown of chaos. Wayside without a doubt is the strongest contestant from the EP.

To end such an explosive EP, You're Saving Me takes a different road from the other songs. Straight into vocals, we are exposed to the soft sharpness of Chance's voice that slowly eases us before the intense company of the guitar, bass and drums kicks in taking the song back to their unique fusion.
More of a slow song, it perfectly ends the EP, advertising the bands complex talent which they are more than capable of producing.

Overall the EP only consist of four songs, however each mark their own spot, setting them aside from each other but also working solidly as one. For a small unsigned band, Buckle Tongue have done well to bring back a nostalgic smell of classic rock music to the modern world as you don't get a lot of niche bands who have the right spark to make modern music with an authentic twist. Highly deserving 9/10 for the whole EP, it is pretty solid and worth a listen.

A King In All Of Us is out on the 1st September!

LISTEN/ BUY IT HERE

Tuesday, 29 July 2014

Creeper EP 2014

Now a lot of you may have not heard of Creeper, however you would be wrong. Featuring members from Our Time Down Here and Hand The Bastard these five talented mucissans make up a brand new band which goes by the name Creeper. Forming around early June this year Creeper have already released a small taster of music to indulge us into their energetic punk sound.



Released19th June 2014
Recorded

Record Label
2013/ 2014

GenrePunk
Length18:00
Origin  Southampton
Rating
 10 / 10


You will be happy to hear that previous vocalist from OTDH, Will Gould is carrying on his role, penetrating a new sound into a new band. Going straight into vocals we are hit with a soft crisp voice, that soon gets added to a bashful encore of instruments picking up the pace with its catchy head bobbing beat.
We Had A Pact proves to be an excessive opener, as the thundering chorus catches you in high spirits while the bridge takes you down slowly into a peaceful guitar solo. The song takes you on a happy journey that ends similar to the chorus, keeping you gripped for more.

Gloom follows next, again marking their straight intro, the band bashes pure punk rhymes that get you moving instantly. The small breakdown of gang vocals echoing in the pre-chorus adds to the build up for the chorus to be as powerful as it is. You can definitely hear the previous mesh of the two bands shining through, however formulating their own twist to call themselves Creeper.

VCR is a song you can imagine yourself stage diving and going mad to. A distinct banger you would want to hear live. Gould takes a higher step in this song, changing his strain on words to produce such a strong and solid sound throughout. Packed with fury rifts and nonstop movement, this melody proves to be one of the highlights, exploring the bands craft.

With two more songs left Into The Black delves into the harsh textures of punk building up more speed and activity. An adrenaline rush hits you as you reach the end to a spectacular find. But it's not all over yet because the last song, Novena sets in with a soft strings of an acoustic guitar, playing a light melody that is joined by Gould's powerful voice, that peaks and turns in all different strains to produce harmonic pitches.
The constant juxtaposition in his voice creates such complex structures and tales that are being told, strengthening this song to be filled with mixed emotions right until the end where the full band accompany to construct a marvellous finale of unison.

Overall I can say that this has been one of the best EP's to come from 2014, as it caught me right away without a second listen, how I can't seem to STOP listening to it. 10/10 for everything, it works so well as an EP and there are no flaws to be explored as I just can't wait to hear more sounds.

If you can't get enough of them then why not catch them at their first ever show as a band this Friday 1st August at the Joiners Southampton?! Get your tickets for cheap here, very limited ones left!

                                            (You can download the EP free of charge here)


Saturday, 26 July 2014

10 Tours not to miss this summer!

AUGUST


Backtrack (GIANTS, YOUR DEMISE 2004)
What more really needs to be said here, 3 superb bands. Also a chance to see the hype about YD2004.
Tickets only being £8 at the fighting cocks in Kingston, it's gonna be a sweaty night.



Turnstile (ANGEL DUST, BELOW, MANKIND, NO REST)
Playing at the Underworld Camden on the 7th.
Hardcore heaven. If you like heavy groovy mixes and up for a manic night then get your ticket.



 

 Deez Nuts ( TRC, COUNTING DAYS, LOUIE KNUXX)
Playing at the Borderline London on the 13th.
Finally a chance to see Counting Days live, alongside Londons own hardcore's finest TRC who bring a mixture of rap and hardcore, producing new fresh sounds.





Worthwhile ( ELEPHANTIS, SHOWYOURTEETH)
Playing at the Garage London (upstairs) on the 19th.
A band that I have been waiting to come over and tour, Worthwile are from the states, producing angelic melodic sounds, along side harsh vocals. Elephantis follow to be a suitable support, keeping a solid build up for the tour.






'68 (Palm Reader, Baby Godzilla, Employed to Serve, Inarchives)
Playing at the garage London on the 17th.
Mainly would go just for Palm Reader and Baby Godzilla as Godzilla are known to put on a show. If you haven't seen this band live before, make sure you do before it's too late as no word can describe their live performances.






LA DISPUTE ( TOUCHE AMORE)
Reading warm up show at the Scala 21st.
What more could you want honestly? La Dispute and Touche? It's just perfect, if you're not going to Reading or Leeds then this is a show for you, or even so go again.



DEADBOLT festival (MANCHESTER)
Brand new to the scene, Deadbolt's first year opens its door to the Sound Control in Manchester for just £10. If you want to catch some upcoming local bands who are seriously underrated then this festival seems like a great deal. Roam, Astroid Boys and Giants are looking to be top for me.




VALES + GRAYSCALE + WHALE BELLY | The Black Heart, London | 19th August
Tickets are only £7, and who doesn't like a good old pub gig? 18+ and sick line up.
Recommend going to see Grayscale if you're into indie emo or a fan of Basement.

SEPTEMBER




The Front Bottoms (PUP)
Finally we get to see a UK headline tour from the New Jersey band.
Proving to be smashing on the Brand New tour, you don't want to miss out on this.


Giants (ROUGH HANDS, HINDSIGHTS)
Playing at the Barfly London on the 11th.
You don't want to miss this tour. If you still haven't heard of Giants then give them a listen right away, but they're another band that you have to see live to give them justice. Energetic, skate punk infused with Hardcore beats, supported by two similar acts.



Cytota (ZOAX)
With support from Zoax there is no reason why you should not go.
Another top band who are all about the performance and making the audience feel involved, Zoax never fail to disappoint or scare the shit out of you, go check it out for yourself.





Modern Baseball ( Spraynard, Chewing on Tinfoil, Losing Sleep)
Back in the UK again this year, we're lucky enough to hear more tunes from the Phili band.
Top band live, for cheesy jokes that aren't funny and just a great interactive night.







Me Vs Hero (ROAM)
Playing London o2 Islington (Upstairs)
Ending the summer and heading back to school you may as well squeeze one more gig in and what better way to celebrate a new semester with this tour.
Two top class pop punk bands. Also Roam are supporting and they haven't stopped touring since the start of this year so check out their hard work.

Tuesday, 1 July 2014

More Than Life - What's Left Of Me


Released14th April 2014
Recorded

Record Label
2013

Holy Roar
GenrePost Hardcore/ Emo/ Melodic
Length33:00
Origin  South West
Rating
 9 / 10

More Than Life are that band that you really cannot hate. Bringing some of the freshest sound whilst showing off the UK's melodic talent, MTL are definitely up there on bands to watch out for. With a great success from their previous record Love Let Me Go in 2010, the 4 year gap has done many wonders for the band in producing such a solid unityof sound to follow What's Left Of Me.

Opening the emotional journey with Asleep, which consist of an intricate interlude that is repeated behind the strain of a screaming guitar, it sets things right into the MTL style of Weight Of The World which has as brilliant gradual drum beat that works its way to your ears, so that it's joined by a catchy guitar riff before joined by vocalist James. Taking passionate screams along with this soft chaining vocals works in harmony with the edgy howls that explode passion and hatred as well as an emotional connection with the raw feelings that went into this song. Instrumentally wise, it was pretty strong as it matched the exact atmosphere of the song, creating high tension peaks at all the right parts.
The chorus being my favourite part of the song as "FUCK THOSE WASTED TIMES" geta you so involved into the song that you just let yourself flow with it. The bridge then adds to the build up of all the emotions going on as it catches them slowly letting them go into bitter speeches ending the song with a heighten advantage.

What's left Of Me again picked up on this, trailing a fast beat that catches you instantly, filled with such complex structures, the song slows down so you can catch your breath before returning to its heighten speed, keeping you alive and bouncing along throughout.
Finally breaking out through one of their famously aggressive bridges, creates the perfect balance of rage which transfuses into a much more steady outbreak of screams that are filled with even more passion and history.

A heavy lyrical theme which has been present in their previous songs however What's Left Of Me carries this out in a much stronger and impacting way that it's implanted in your brain with a first listen. Sung with such passion and tone as you can actually feel James's voice break in every song is a perfect example of how talented and dedicated the band is. You don't get such detail in a vocicalist however James prove to be unique and numbing indeed. Whenever I listen to More Than Life, there's just something about them that sets them apart form any other band, it's the raw sound that hits your ears as it comes from the heart, the overall music that they make really does show this.

Picking you back off your feet with Seasons Change provides the lime light the drums as it focuses on themfor a while keeping the song together before James vocals tear you apart. What really breaks me is the next song releaed a while before the album as a single.

Do You Remember is the one song off the whole album which hits me hard.
Right from the intro you know the song is going to be a strong one, as soon as the vocals set in you can already feel the sadden rush taking over as the harmonies of the two vocalist sync with each other giving of a holding on broken feel. It's the broken screams that James shouts "STAY AWAY FROM ME" that really hits deep. Actually feeling broken inside whilst this song plays, the lyrics are so easily relatable as they're about your teenage love and it being broken a few times. The constant battle screams get louder and stronger as you feel them slap your face hard, along side the soft whispers that juxtapose with the narrative. Ending the song brings everything to a close with one final outbreak that gives you one final scream of leverage of relief.

Who would have thought that "I love you more than life" would actually be a lyric but in Sometimes it actually appears towards the end of the song, heightening all trapped emotions to escape, perfectly used and in line with the song this lyric works strongly as it's also a favourite touches they've added.

Ending the album off with Love Is Not Enough adds a new acoustic guitar melody that softly settles into more sadden violin strums that add to the albums authenticity.
In my opinion they couldn't have ended it better, being a suprise from them as we would expect James worn out screams, it was a nice peaceful touch MTL added, proving the 9/10 rating I have given them. 

Friday, 20 June 2014

Update about what I do

This is just a random post about me and explaining what I do and why.

I don't write reviews or take pictures because I have to or feel like I do, I do all of this because I love it and have so much passion and enthusiasm for it. It's the only thing that I feel like I am relatively good at and can carry on as a career in my life, as I can't see myself doing anything else.
As you can tell my reviews are very personal and bias in ways as I do used first person pronoun, however I feel it just lets me explain my experience better. I do try and give an honest and open overview on the music, but if I generally love a and I am sure to be excited about them however this does not stop me from writing the truth.

If I don't like a performance or sound then I won't hesitate to state so, as I'm not one to sugar-coat music no matter what, however I would never slater a band off as I do try to find positive aspects out of any situation. I feel like a lot of reviews which are published on known organisations are very dull and filled with lies, due to rules and regulations. By publishing work on my blog I can really say what I want without falling under these limitations.
It would be nice to work for a large organisation but not permanent (depending if I actually liked it or not) The experience would be great for me as in a couple of months I will be going to University in Southampton to study Music Journalism further.

What would be a dream for me is to go travelling across the world, on tour with a band, filming taking snaps, making tour videos and writing up the whole experiences for everyone to share. I don't really expect to get paid for this or do it for the money as there is NO MONEY involved at all from this. I'd just like to do it for fun as well as something I can say I'm proud of and have accomplished in my life. It's a far fetch and a total dream but I'm pretty motivated and dedicated for it to happen.

 I want to do as much as I can before I go to uni as I know that this will give me a massive advantage there. In the few months I have been taking my work seriously, I have gotten pretty far. I've met a load of cool new people from bands to photographers to promoters, it's been such an amazing experiences already and I'm just starting.

I love travelling to new places for gigs and I am actually willing to do so for bands, as done in the past I mostly visit Sheffield but also now have explored Liverpool, Southampton, Leeds and Manchester, I plan to go to more places in the summer but all this travelling has left me pretty broke and tired.

First thing I actually need is my own camera, as I am currently borrowing the schools. Once that's sorted and I gather all the right equipment, I can finally start to make more films and music videos as well as progress with my photography.
So if you need anything done this summer then be sure to give me a shout as I am more than willing to help you out if I can.

I know my work isn't really professional or up to top standards yet but it's a working process, I do try to keep everything clean and short, also written to a professional  view without letting my own opinions get the best of me.
As I said this is just a random post about what I kind of do, as I want to progress and write more about music not just reviews of gigs and albums.

Knowing that not many people will actually read this or my blog doesn't really bother me, it's not about the hits or how known you are, it's about what you have to say and if just one person likes my work then I would feel like I have accomplished something.
I maybe posting less now but when exams are over this blog will be filled with heaps of new stuff so stay tuned!

Wednesday, 14 May 2014

Fury Fest 2014 10/5/14


A pretty new and fresh festival took place on the 10th of May at East Village Arts Club in Liverpool, home to Fury Fest. Only being around for two years now, the first ever festival kicked off in 2013 with a pretty impressive line up of hardcore/ metalcore bands. Before the festival had only had one set of genre and one stage, however this year had been such a hit that the day was split into two stages with a variety of bands playing across them both.



With two very solid stages filled with bands from all over the UK as well as US, this years fury fest was looking very solid indeed, as I fell in love with it so much, I decided to get a ticket and travel all the way to Liverpool just for the day! (6 hours on a coach is not the one.)


 Arriving just in time for the first band, Headroom to make an appearance on Stage 1. Opening the festival off with their alternative emo sound that gave off a similar presence to Nai Harvest. The quintet from Manchester provided a lively, interactive performance for the crowd to sink into and begin to loosen up a little.
(Ian Taylor - Headroom)
Not having heard of them before, they immidently captured my ears are I could relate to their sound, suprised of their talent, Headroom are sure to be making more appearances around the UK as they are a band you just find yourself liking immidently without a second thought.

Second up on the bill were one of the bands I was most looking forward to see, yet again, ROAM!
Set up for an early start, the pop punk band from Eastbourne had somehow caused a storm of a crowd to form right towards the middle of the stage. Surly known by a lot of fans, this was the first set of crowd surfers and interactive fans to actually got involved with the music as each one had memorised the lyrics word for word.
A great experience, as Roam set the stage spinning with their catchy and bouncy music that you can easily finger point to in the comfort of fellow fans surrounding you. Actually seeing the crowd get into their music was brilliant, as only second up, Roam had caught a lot of fans up north. A nice clean set was finished off with Head Rush, they're famously ending song which caused the adrenalin to rise even higher before their set ended.
Photo credit: Ian Taylor (Buckle Tongue)

Trying to get a mixture of the bands who played that day, I decided to quickly check out Stage 2, where Buckle Tongue were playing, an alternative rock band. Sneaking in halfway through their set I could already hear their loud bashful music booming through the doors as they carried a class rock beat with overwhelming, powerful vocals. Packed with heavy riffs and djenty rhythms the band had represented stage 2 with some competition.
Really enjoying what I was hearing, Buckle Tongue are a fresh, yet nostalgic rock band that take you back to Rise Against and Alter Bridge as similar sounds are explored within their music. A lot of talent and experience was shown as their set was very interesting and lively to watch, even with a small crowd the band didn't let that stop them from giving it their all.

Then dashing over back to Stage 1 for Nai Harvest, I managed to catch their second half of songs. Waiting ages to see this band live and finally there they were, performing some beautiful indie punk music that you could sway to.

A chilled out vibe was lingering in the air as their melodic music took over your mind while you just enjoy their set peacefully.
Definitely worth checking out, Nai Harvest sounded better live as their words were more impacting and music more fierce.


 Keeping to the same stage again as most of the bands I like were lined up to it, Moose Blood were another who I had been dying to see after my first experience which was gripping.
The band are from Canterbury, which is quite a while away, they seemed to have already captured quite a few of the audiences ears.
Moose Blood (Nicholas Gerrard)
Improving since the last time I had saw them, Moose Blood were another chilled, calming band that just captivated your whole body. The soft emo sound matched with their famous lyrics which echoed throughout the venue, filling it with brightness.
Producing a flawless set, packed with old songs as well as few new ones, Moose Blood had surly surprised the crowd with their unique arresting music.


A much hyped about band who seem to be unfamiliar within the UK, Turnover travelled from Virginia Beach, their hometown to tour with a few bands from the festival. Thinking I would never see this band play in the UK, I was stunned when they got announced.

Turnover (Nicholas Gerrard)
Such an underrated, yet talented band who produce beautiful, sensational music. My eyes were glued to the stage when their set started as hearing their music being played live, directly in front of me was too overwhelming. More flawless than I had expected, Turnover played a lot of old songs as well as the bangers off their album, Magnolia. Each song was filled with light catchy melodies, that accomplished the calming vocals skilfully. Ending the set with Most Of The Time, as I hoped was exactly right. A brilliant composed set, as I was grateful for the band as so were a few Trunover fans found in the crowd, singing back the lyrics as they were spoken. Hoping they get some more recognition amongst a UK, as Fury Fest was sure to make that happen.

Photo credit: Nicholas Gerrard (Major League)
Straight after the punk rock band from the west side of the world, Major League were up to play a fully inspired set that again got the crowd back into their lively spits of jumping around whilst mirroring back the lyrics.
Another really great heighten set that was well planed and sounded solid as the stage space was filled with each member running around.
This time a much larger crowd formed, connecting with the audience, you couldn't help but move yourself along with their hooking vibe.

Photo credit: Ian Taylor (Carcer City)
 Moving slowly back to Stage 2 again to catch Astroid Boys, a band called Carcer City were just finishing up their set and I was lucky enough to catch them. Instantly causing chaos, the majority of the crowd laid below in the floor space going nuts to their music with various pits consuming the floor. A strong metalcore sound that was jam packed with the djentiest shit you have ever heard was blasted with low screams that matched various highs. Definitely a talented band, they had pumped up the east side of the festival with their loud metal music.

Hyped for the Astroid Boys set as previously seeing them the week before with Desolated, Liverpool had a lot to live up to.
A totally different mix of genre and style as the hip hop crew played a variety of grime mixes with elements of hardcore and rap, however they still seemed to appeal to the festivals crowd.
Astroid Boys (Nicholas Gerrard)
It's always nice to mix things up, as they provided to do exactly that, engaging with the audience, as they would with anyone else the lads bashed their original tracks to the crowd will full enthusiasm and passion. Truly amazing in their performance, Traxx and Dellux moved around the stage as they sung, keeping in contact with everyone in the crowd, pointing at various faces to keep them all involved and buzzed.
Minging and Bada$$ proved to cause a little temper within the crowd as a handful of Astroid Boys fans got right into their music, pumping them selves up for Desolated who followed.


 Nicholas Gerrard (Gnarwolves)
Really gutted about the clash between Gnarwolves and Desolated, I finally sided with seeing Gnarwolves as this was one set I could not miss.
Proving my instincts right, the skate punk band from Brighton were severely hyped up about as soon as they made their appearance on stage. Delving right into their set with History Is Bunk, the trio caused a swarm of fans to form centre stage, flying all over the place. Constantly moving and cracking jokes, the band exhibited a true punk set that was thrashed with banging fast pace tunes that got your head bobbing every millisecond with your hands in the air.
Quality band live, Gnarwolves made sure their set was entertaining as well as aesthetically pleasing. Combined mixtures of their music a solid setlist was conducted for their time at Fury.
Photo credit: Ian Taylor (Desolated)

The night was nearly over with just three more bands left to play, Desolated's set was just closing up as I reached the doors, however still managing to catch up with their mad actions.
Their show back in London the week before proved to be crowd kill heaven, as the band are heavily attached to this trademark, as Liverpool's crowd appeared to follow. A heavy hardcore beat with powerfully hitting vocals that amplified the room, Deso are certainly a crowd pleasing band, whither you're in the pit of doom or watching from a safe place nothing interrputs the solid edgy sound they produce to a live audience.
Photo credit: Ian Taylor (Malevolence)

With a similar style of music, the headlining band of stage 2, MALEVOLENCE were up now to top Desolated's set causing even more destruction and havoc across the venue.
Being the last band to play on this stage they certainly left their mark by tearing up the stage right from the start of the first song.
Built with heavy riffs that compliment the metal genre with hints of hardcore, the crowd reacted with immediate impact with whirls of bodies flying all over the place in time with the music.
Waking everyone up for sure, Malevolence raged through their set with a mixture of steady paced songs that matched fast ones.
You'll always going to get people who think being at a gig gives you an excuse to start a real fight, but Malev weren't having any off it, as said by vocalist Alex: "If you're gonna fight then fuck off."
Not letting the interruptions spoil the night the band carried on producing their polished, piercing sound to a packed audience, ending fury fest with sweaty battered bodies.


Photo credit: Ian Taylor (I Am The Avalanche)
Lastly to end the whole of this amazing festival was I Am The Avalance, who travelled all the way from their hometown New York. The American punk rock band had a 45 minute set which was filled with classic tunes, old and new the band had composed. Being a hit with a large audience of a variety of ages it was nice to see everyone getting involved for one final time.
Only managing to catch the last few songs of their set, they still seemed to keep everyone going, bouncing along to their catchy and vibrant music as hands were flying along with mouths, their punk rock sound seemed to please everyone. It was a brilliant way to end the festival as there were bands from all styles to please everyone.

Fury fest 2014 had been phenomenal and a massive hit, as I already miss it. A solid line up, packed with heaps of young talented new and old bands which all gave a flawless peformance.
I look forward to 2015 now, going to hard to top it!